{"id":691,"date":"2020-05-31T06:29:49","date_gmt":"2020-05-31T06:29:49","guid":{"rendered":"https:\/\/laboluz.webs.upv.es\/wiki\/?p=691"},"modified":"2020-05-31T06:29:50","modified_gmt":"2020-05-31T06:29:50","slug":"body-navigation","status":"publish","type":"post","link":"https:\/\/laboluz.webs.upv.es\/wiki\/2020\/05\/31\/body-navigation\/","title":{"rendered":"Body Navigation"},"content":{"rendered":"\n<p>Dos bailarines y su reproducci\u00f3n digital son el marco escenogr\u00e1fico de este retrato humor\u00edstico y emocional de las relaciones humanas. Basada en reglas y estructurada a modo de juego, la instalaci\u00f3n da paso a un di\u00e1logo l\u00fadico entre el hombre, la mujer y las \u00abhuellas\u00bb digitales que dejan.<\/p>\n\n\n\n<p>Body Navigation form\u00f3 parte originalmente de una instalaci\u00f3n mayor llamada Labyrint, para una performance de danza moderna de Tim Rushton, en el Danish Dance Theatre de Copenague.<\/p>\n\n\n\n<p>Utilizamos Processing para la detecci\u00f3n de los blobs de los bailarines, por tracking video con c\u00e1mara infrarroja, y openGl graphics para el dibujo. Durante la actuaci\u00f3n, la core\u00f3grafa Tina Tarpgaard control\u00f3 todo en directo desde una interfaz basada en Isadora a trav\u00e9s de osc.<\/p>\n\n\n\n<p>Fuente informaci\u00f3n: <a href=\"https:\/\/ole.kristensen.name\/works\/body-navigation\/\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/ole.kristensen.name\/works\/body-navigation\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dos bailarines y su reproducci\u00f3n digital son el marco escenogr\u00e1fico de este retrato humor\u00edstico y emocional de las relaciones humanas. Basada en reglas y estructurada a modo de juego, la instalaci\u00f3n da paso a un di\u00e1logo l\u00fadico entre el hombre, la mujer y las \u00abhuellas\u00bb digitales que dejan. Body Navigation . . . <a class=\"readmore-link\" href=\"https:\/\/laboluz.webs.upv.es\/wiki\/2020\/05\/31\/body-navigation\/\">Leer mas<\/a><\/p>\n","protected":false},"author":3,"featured_media":692,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"footnotes":""},"categories":[54,48,53],"tags":[],"class_list":["post-691","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-espacio-escenico","category-instalacion-av-interactiva","category-performance"],"acf":[],"_links":{"self":[{"href":"https:\/\/laboluz.webs.upv.es\/wiki\/wp-json\/wp\/v2\/posts\/691"}],"collection":[{"href":"https:\/\/laboluz.webs.upv.es\/wiki\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/laboluz.webs.upv.es\/wiki\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/laboluz.webs.upv.es\/wiki\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/laboluz.webs.upv.es\/wiki\/wp-json\/wp\/v2\/comments?post=691"}],"version-history":[{"count":2,"href":"https:\/\/laboluz.webs.upv.es\/wiki\/wp-json\/wp\/v2\/posts\/691\/revisions"}],"predecessor-version":[{"id":694,"href":"https:\/\/laboluz.webs.upv.es\/wiki\/wp-json\/wp\/v2\/posts\/691\/revisions\/694"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/laboluz.webs.upv.es\/wiki\/wp-json\/wp\/v2\/media\/692"}],"wp:attachment":[{"href":"https:\/\/laboluz.webs.upv.es\/wiki\/wp-json\/wp\/v2\/media?parent=691"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/laboluz.webs.upv.es\/wiki\/wp-json\/wp\/v2\/categories?post=691"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/laboluz.webs.upv.es\/wiki\/wp-json\/wp\/v2\/tags?post=691"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}